Mona Lisa By Leonardo Da Vinci – Humanism

The passage motion that took topographic point between the 14th and seventeenth century in Italy is known as the Renaissance clip or by definition “ metempsychosis ” . The doctrine that took topographic point in the period is one of the humanitarianism or the focal point on the human being. One of the maestro creative persons of this clip is Leonardo Da Vinci ( 1452-1519 ) and one of the pictures that best represents the doctrine and art of this period is the Mona Lisa.

The doctrine of humanitarianism brought on a clip where the focal point was on the human being. The old doctrine of the mediaeval clip was more focussed on scriptural motive, whereas humanitarianism was non. Humanism stood for the ; “ the outgrowth of the single figure, in topographic point of stereotyped or symbolic figure, greater pragmatism and attendant attending to detail, as reflected in the development of additive position and increased pragmatism of human faces and organic structures ” ( High Renaissance Art. ( n.d ) ) .

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The creative person of the Renaissance clip kept up with the spirit of humanitarianism by portraying graphic human signifiers with the realistic vesture, and look and right proportion. A new 3-dimensional signifier was created with new techniques. The natural landscape began to look as the background as a passage from the figures of Eden against a gold background.

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Realism and idealism are other constructs that were used in the Renaissance clip and one could state that Leonardo Da Vinci mastered them. Realism or portraying topics as they truly were accomplished by: signifiers, colourss, proportions, visible radiations and shade effects, spacial harmoniousness and composing. Leonardo ‘s background in scientific discipline, outlining, sculpting and architecture all helped in every part of his picture of the Mona Lisa ( The Mona Lisa, ( n.d. ) ) . Idealism was the thought of portraying topics, as they should be.

The Mona Lisa was a picture that Leonardo Da Vinci was working on in between the old ages of 1503-1506 ; some believe the picture was still ne’er finished by his decease in 1519. The Mona Lisa clearly represents the doctrine of the humanitarianism by stand foring the focal point of the human being and pragmatism. It besides shows nature as shown in the background behind the figure in the picture.

The chief focal point of the Mona Lisa falls really on the individual in the image. In old mediaeval art the figures in the portrayal were pictured in profiles and were stiff. Mona Lisa is painted in a relaxed three-quarter airs and cropped in contrast to the norm of full-length portrayals. Whereas pictures antecedently had the figure in the picture adorned with gems and ornaments the Mona Lisa is simple and free of any jewellery. The adult female ‘s hair is smooth and merely has a simple head covering ( which may be a symbol of celibacy ) ; her custodies are relaxed and free of watchbands and rings. Merely the creases of her robe or frock are present ( Mona Lisa, painted from 1503-1507, ( n.d. ) ) every bit good as the lace-topped frock she is have oning.

The Mona Lisa ‘s chief focal point is on the face of the picture. The techniques of chiaroscuro, utilizing visible radiations and darks and sfumato ( intermixing one tone to another ) or the semblance of corners that allows the imaginativeness to see the country in a different manner, was introduced and used by Da Vinci in his picture ( Mona Lisa painted from 1503-1507, ( n.d. ) ) . These techniques, that were achieved by utilizing oil pigments, were used on the face and the custodies to do the individual appear to be more existent and about as if she has motion. The smiling that is so celebrated and adds to the enigma of her temper is besides achieved by these techniques. While some viewing audiences see the adult female smiling others see her without a smiling.

The pyramid design, which was normally used, besides helps the spectator to concentrate on the adult females. It is believed that the pyramid gives a representation of giving testimonial to the male parent, the boy and the Holy Spirit. Mona Lisa ‘s airs is that of a pyramid form with her caput, shoulders and custodies ( Mona Lisa, La Giaconda, ( n.d. ) ) . There is besides a freshness on the face, cervix and hands that puts an accent on those.

Leonardo painted a true representation of the adult females of the clip. The adult female ‘s face is free of facial hair including her superciliums. At this clip it was common for adult females of the clip to tweak their superciliums because some feel they were unsightly. When Leonarod did this it makes the individual really existent ( Mona Lisa, La Giaconda, ( n.d. ) .

The adult female seems to be seated in a chair on some kind of balcony. The pillars to the side of the balcony about organize a frame to the figure behind the adult female is a landscaped background.

The figure in the picture is emphasized by the visible radiation and dark tones of the closet every bit good as the background. The face and organic structure have lighter tones on them with smooth lines ; gone are the yearss of defined figures. The background does non reflect Eden or religious symbols but that of nature, which was another accent of the clip. The curves in the background with the waies, rivers and mountains are a little contemplation of the curves in her hair and apparels. It is believed that Da Vinci was working on “ some of his finest studies of works life and nature ” ( Mona Lisa, painted from 1503-1507, ( n.d. ) ) , when he worked on the picture.

Some intimations of yellow and gold are used in the twist waies behind the figure. The landscape in the background screening mountains, trees and H2O are painted in ice chest blues and leafy vegetables. There is a sense of deepness and signifier because the image becomes hazier as the landscape progresses backwards. Besides, with this technique, the figure in the picture appears closer to the spectator and puts more accent on her because of the scenery.

Leonardo Da Vinci may be considered one of the greatest creative persons of all times. Leonardo was a true maestro of the Renaissance clip reflecting the doctrine of the clip that being humanitarianism and the accent of the human being.

The Mona Lisa is a picture that shows such a doctrine of humanitarianism. With the colourss used, the shading and blending of the pigments, Da Vinci could do the spectator focal point on the homo. The adult female is really simple with no luxuriant apparels or jewellery to take away from her, with a reserved position.

The background is that of nature, which another focal point of the clip was. The landscape demoing deepness helps the spectator focal point on the adult females.

The Mona Lisa is a true chef-d’oeuvre of the Renaissance clip. With Leonardo Da Vinci ‘s usage of his techniques of sfumato and chiaroscuro he was able to do his figure of the adult females genuinely reflect the doctrines of the clip. Mona Lisa appears to be a existent adult female with both deepness and motion.

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